Bibliography

2002 
                      
Sprawl: Aspects of Human Agency in the Landscape (exhibition brochure).  Essay by Sara-Jayne Parsons, curator.  Photo

2001

New American Paintings, Juried Exhibitions in Print #36, juried by Terrie Sultan.  Photos (3)

2000     

PaperCity, ArtBuzzzz by Catherine Anspon, December

ArtLies, #27, Gary Retherford: The Grass Show, Mulcahy Modern Gallery by Bret McCabe, photo, summer   

The Met, Lawn Art: Gary Retherford puts nature in a bottle with “The Gras Show” by Killian Piraro, June 14-21, photo

dallascitysearch.com, The Grass Show at Mulcahy Modern by Mike Daniel

The Dallas Morning News, The Grass Show at Mulcahy Modern by Mike Daniel, May 19, Guide-p.54, photo

Star-Telegram, Dallas Essentials—Grass As Art, May 12-18, photo

1999                   

The Dallas Morning News, Who knew? Household items were just itching to be art? by Mike Daniel, November 19, photo

Itchy (exhibition brochure), curated, and essay by Jennifer Fashimpar for The University of Texas at Dallas Visual Arts Mezzanine Gallery, Richardson, TX

Southern Accents, September-October issue, photo (p.245)

The Met, Sometimes It's The Quiet, Little Art Shows... (Mulcahy Modern Gallery) by Annabelle Massey Helber, March 3

The Met, Show and Tell: For two Texas artists, the medium isn't always the message by Annabelle Massey Helber, January 13-20, photo

1998                   

The Fort Worth Star Telegram, Mixed messages:  Dallas exhibitors combine materials to give them new meaning by Suzanne Akhtar, photo

The Dallas Morning News,  Assemblage lines: Artists combine bits, pieces into cohesive wholes by Mike Daniel, photo, December 17

1997                   

ARTL!ES, Spring, photo Houston Chronicle, Galleries exhibit visual jokes by Patricia C. Johnson, May 19, photo

Public News, Houston, TX, A cohesive "Reunion" by Catherine D. Anspon, January 29

1996                   

The Coloradoan, Fort Collins, Colorado,  Visual Arts Review, May 3

Cerling Etching Studio First Five Years: 1990-1995 exhibition catalogue with essay by Barry Walker, Curator of Prints and Drawings, Museum of Fine Arts, Houston for two exhibition locations—Transco Tower Gallery, Houston, TX and Galveston Arts Center, Galveston, Texas

1995                   

Falcon Times, Miami-Dade Community College-North, Miami, Florida, Secrets of Place by Melissa L. Thomas, March 8, photo

1994                   

Spotlight, Arts Council of Brazos Valley publication, College Station, TX, "Vital Forces", Works by Marian Haigh and Gary Retherford; photo

 1993                   

Works On Paper (Exhibition Catalogue), San Jacinto College, Houston, TX; Introduction by Ann Phlbin

1992                   

Houston Chronicle, Mixed bag-Collective art exhibit holds some pockets of excellence by Patricia C. Johnson, July 18, photo

The Forceful Gesture Exhibition Catalogue, Valencia Community College, Orlando, FL, photo

Gulf Coast, A Journal of Literature & Fine Arts, University of Houston Press, Volume V, Number One, Summer, photo, p. 74

(publication unknown), Retherford Oils will be exhibited; Fairhope, AL, photo

1986                   

Artscene, Vol. 7, No. 14, Gary Retherford-Lombardi Gallery by Barbara Mallen, photo                 

The Tallahassee National 1986 Exhibition Catalogue, Florida State University Fine Arts Gallery, photo

The Houston Post, Susan Chadwick, June 15

Small Works International Exhibition Catalogue, Zaner Gallery, Rochester, NY

1982                   

InBetween Magazine, Galveston, TX,  Exhibits/Fortnightly Listings, December